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![]() Mongrel Research: is based on ideas, needs and imaginings that arise out of the Mongrel network. Much of this work will feed back into supporting the Mongrel network which is a main source of our research insights, artistic problems and inspirations. The Mongrel network includes many of our partners enterprises such as the 'Container Project' and ‘Nostalgie Ya Mboka’ and ongoing projects such as ‘Natural Selection’, ‘SkintStream’ and Nine(9). We aim to develop the means to allow new partners to join in group online projects like ‘SkintStream’ or ‘Phone-Slam’. We aim to provide convenient mechanisms for partners to give feedback on current developments and channels to enable them to be kept informed in a timely manner. We will make our software available over the Mongrel network, more compliant with FLOSS (Free and Open Source Software) protocols and conventions. Submitted by harwood on Fri, 2006-08-04 14:34.
Do I have anything to say – or does the network already take care of it? "NetMonster" is designed to generate, edit and continuously update a composite image made up out of the results of internet searches guided by various keywords. It allows people to collaboratively build up a composite ‘networked image’ out of the images, text and addresses returned. The “NetMonster” will continuously rebuild itself based on users edits and changing search parameters, offering up new content and configurations. In this way the empty gesture of a political icon (e.g. Abu Gharib) can learn to detect the context of its own existence, automatically creating dialogue between itself and its users. Submitted by richard on Thu, 2006-08-10 18:25.
Our definition of an ‘image’ here is not just a picture but any sensory impression, percept or idea. Because of the multivalent, embedded and contingent nature of networked media, the image no longer has such a strong representational or poetic function of its own. So how does it now function in contemporary culture and how can we give it a new power? Submitted by richard on Thu, 2006-08-10 18:43.
Here is a list of writings about Mongrel, by Mongrel members or including examples of our work. ARTICLES, REVIEWS, TEXTS 2004 Homeland: Into a World of Hate, Nick Ryan, Mainstream Publishing, 2004. “Natural Selection” used for front cover illustration. New Media Art: Practice and Context in the UK 1994 – 2004, ed. by Lucy Kimbell, Arts Council England 2004. “Linker” section, pp 178 – 179. “The Bank of Time” section pp 260 - 261. “Software Art after Programming”, article by Richard Wright, MUTE no. 28, summer 2004. “Linker” and “Nine” discussion and illustrations. Submitted by richard on Tue, 2006-08-15 11:57.
Our Telephony research programme is aimed at developing new interfaces for arts projects and for finding ways to build social networks between people. Telephony is central to our aim of designing more proactive forms of collaborative media that seek out potential participants. Submitted by richard on Tue, 2006-08-15 14:32.
![]() TextFm is a piece of software that broadcasts text messages. Anyone with access to a mobile phone can send a message to a specified number. A computer receives the message and reads it out using a text-to-speech program. This speech is broadcast by a radio transmitter. It is a way of creating a simple, lightweight, open media system. TextFm was installed by groups in a number of cities over the end of 2001 and beginning of 2002. Each installation is a variant on the software. Languages other than English are being added. The program is also available for download and use for any other non-commercial purpose, pirate radio, community radio, or other localised broadcast system. Go to the site here Submitted by richard on Tue, 2006-08-15 14:51.
![]() NINE (9) SOCIAL SOFTWARE RESEARCH PROGRAMME Mongrel’s most ambitious project of recent years was its social software development which began with the release of the “Linker” software system in 1999 and culminated with the release of “Nine(9)” in 2003. These works were among the first examples of multimedia authoring software designed by artists themselves for running collaborative arts projects that were sensitive to the cultural expressions of marginalised social groups. These two works alone resulted in invitations by arts organisations to run hundreds of workshops around the world and won numerous citations and awards. Submitted by richard on Wed, 2006-08-16 14:28.
Up to now most ‘social software’ has been quite functional and similar to stripped down content management system. This means that it has lacked an artistic form that would make it graspable and meaningful and lacked a motivation for people to use it beyond the enthusiasm of a workshop organiser. In this research we seek to design more proactive collaborative software systems that answer the question of how to engage people and how to keep them in an ongoing productive relationship. Submitted by richard on Tue, 2006-08-22 18:24.
Streaming projects like ‘SkintStream’ are proving very popular and a cheap and relatively quick way to use media technology to build cultural networks. They can bring marginal cultural locations into the centre of arts activity, like a form of collaborative broadcasting. Submitted by richard on Tue, 2006-08-22 18:42.
SCOTOMAScotoma.org is an on-line project and in the future will feature many archives that relate to Harwood's past and present illnesses, Underground, Matthew Fuller's Natural, Mental Comix and many others. It is the place to find out about some of the more obscure research we are doing. Mainly used by Harwood for notes and projects that are too naughty for the main Mongrel.org.uk site Submitted by richard on Tue, 2006-08-22 19:05.
Linker
The Linker software comes out of a specific need that Mongrel found doing workshops. Our dialogues allow us to produce fast artefacts of digital culture with other mongrels. A crucial thing about these workshops is that we found people want to produce something that looks good, and means something, but don't want to have to invest months in teaching themselves up to know something like Photoshop or Director. We don't particularly want to knock these programs, but they're cultured up to be useful really only to experts. |
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